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An affirming gay Christian (GLBT) site dedicated to ... "Building (ALL) the Body of Christ in Love!"
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Gay Affirming: History
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Amazon reader review: Louis Crompton has produced in HOMOSEXUALITY & CIVILIZATION a definitive book about same sex relationships from the beginning of civilization to the present. Not only is this 624 page compendium thoroughly documented with copious footnotes, bibliography, valuable indices on both written content and illustrations, it is presented in an elegant format by Belknap Press of Harvard University Press - all of which become s additive but secondary to the brilliance of Crompton enlightened writing style. No dry treatise this, though the scholarly ethic is always in evidence. Crompton relates his reportage and commentary in a fluid, highly readable fashion, a fact that makes this book read like the great historical novel.
Although others have written excellent 'justifications for homosexuality'
on various platforms that usually seem to border on glorified gossip for a
hungry audience of fellow travelers, Crompton relies on myriad quotations
from historical documents, poetry, stories, myths, histories, and intact
evidence of teachings of the great minds from twenty-four centuries. He
wisely begins with Early Greece then Classical Greece where love between
males was glorified and honored, to Rome where same sex relationships were
an integral part of the Roman warriors' lives. He quotes liberally from
the poetry of Sappho, Homer, Plato, Ovid, Cicero etc and integrates the
lyrical with the writings of Caesar and Alexander and other emperors and
leaders.
Then comes the change. With the introduction of 'Christianity which
was born when Rome was stood at the peak of its power and Greek culture
still dominated the Mediterranean world.' The single most destructive
concept of homosexuality as an abomination and a crime worthy of (and
receiving) the death penalty is the brief story of Sodom and Gomorrah.
Even though Crompton demonstrates that the inception of the hate campaign
resulting from this Judaic story may have originated from an incorrect
translation from the Bible, this Levitical evidence was the reference used
to torture, imprison, slaughter, and burn at the stake countless men and
women who were even suspect of same sex love or who engaged in the act of
sodomy. The Story marches forward like a pestilence through the Middle
Ages and the Renaissance with the Inquisition only an example of the fury
that the Church used to destroy sodomites, considered to be the cause of
all misfortune in battles, disease, and civic unrest because of God's fury
at peoples who allowed this crime.
Make no mistake; Crompton does not march against the Church as the source
of all evil in telling the story of the homosexuals' plight. He writes
lyrically of the wonders of the Renaissance and the Papal patronage of the
great master works of art in the history of Western Civilization. He
quietly continues to demonstrate that these holy works were from the minds
and hands of homosexual artists such as Michelangelo, da Vinci,
Caravaggio, Botticelli, and Donatello. He talks about the Popes, the
kings, the emperors, the famous men and women of the political and
religious and artistic world who were known to be homosexual.
Crompton does not exclude Eastern Civilization in his massive book. As a
matter of fact his beautifully written accounts of Chinese and later, of
Japanese histories provide a welcome breath of dignity to the ongoing
slaughter and genocide of the homosexuals in Western Civilization. Because
the Judaic Bible was not part of the culture of these civilizations, there
was no rule or law against same sex relationships. Influenced by the
Oriental mind being at one with nature include being at one with all
beings in nature, and while it was accepted that unions between man and
woman were necessary for the proliferation of their civilizations, more
often than not the purer 'love and passion' stories were those between
men. The Samurai are shown to be deeply involved with male lovers who were
the driving force for valor on the battlefield.
Once the atrocities of the Inquisition began to fade and the Age of
Enlightenment and Reason altered man's view of the law as at least equal
to the dogma of both the Papal authority and the Protestant Reformation,
Crompton writes of the gradual decriminalization of homosexuality,
examining the differences between the timelines of France, Spain, the
Netherlands, England and the United States and leaves his thorough
investigation in the Supreme Court ruling of June 26, 2003. "Our story
concludes here, at the moment when executions finally cease in Europe.
Looking back over twenty-four centuries, what pattern can we see in the
dozen societies we have examined? Most striking, certainly, is the divide
between those that called themselves Christian and those that flourished
before or independently of Christianity. In the first we find laws and
preaching which promoted hatred, contempt, and death; in the second,
varying attitudes, all of them (barring Islam, which, like Christianity,
inherited the lethal tradition of the Hebrew scriptures) to a radical
degree more tolerant."
This book is not a light read; reading one chapter a day is about all we
can fully absorb and relate to our own knowledge of history. But Crompton
is both knowledgeable and a thoughtful writer. His book is generously
illustrated with examples of paintings, sculptures, images of the people
under discussion, and extant documents. One could comfortably use this
book as a text for the general study of Civilization. The fact that Louis
Crompton has added the parallel history of homosexuality to his
intellectual tracing is a welcome addition to scholars and to all readers
who long for an understanding of a topic that has rarely been more
relevant than it is today. This is a brilliant book and an extraordinary
achievement. Highly recommended!!!
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Mondimore, a psychiatrist and author of Depression, the Mood Disease (LJ 4/1/90), adds this unique and thoughtful study of the growing number of titles on the subject of homosexuality. Much of the information here is not groundbreaking (see Simon LeVay's Queer Science: The Use and Abuse of Research into Homosexuality, LJ 7/96), yet what is unique is the author's ability to distill a vast array of data to create cogent, readable prose. Written in four parts (sexual histories, sexual biology, sexual identities, and sexual politics), the book offers readers an unbiased examination of evidence suggesting that homosexuality is a complex interplay of biological, psychological, and environmental factors and that it has existed across cultures and throughout history. Given the current level of discourse in our culture on this issue, Mondimore adds an important, and reasonable, voice to the mix, and his work deserves wide readership.
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While the title of the book is, of course, STONEWALL, and a large portion of the book is devoted to an almost minute-by-minute account of the fabled riots, Carter also takes considerable care in detailing all of the many contributing factors that led to the revolt against the police (debunking the ludicrous "because Judy Garland died" myth in the process) as well as the activism of several newly-founded gay groups that resulted from the action. The book is meticulously researched and footnoted and should stand as the definitive account of the subject for a good length of time to come. It took Carter ten years to write the book; it was ten years well spent.
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This book is
chockful of great monographs on gay and lesbian history. After a
world-shaking introduction by all three editors, the book offers
monographs from many periods in history. And not only is Western history
profiled--there is also Asian gay history, and other non-European
monographs as well. Everything is scholarly, and well-documented, and some
of the information that you read in here is incredibly surprising! I am
glad that a book like this finally exists, and, as a historian myself,
know from this book that history is changing for the better by including
the gay population and other minorities.
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Michelangelo, Leonardo da Vinci, Tchaikovsky, Oscar Wilde, Ernst Rohm, Noel Coward - these men shared a sexual orientation that ran counter to mainstream society and defied their eras' ideas of biology. This analysis of these influential historical figures explores not only the links between creativity and sexual desire, but also how their awareness of their own sexual mores lent itself to the shaping of their genius.
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Half a century of the gay rights movement.
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